Sydney Bienniale 2004 |
Designed an interactive audio
and tactile environment using new super-focused sound technology in conjunction
with precision vibration that responded to the viewer, creating a personal
space that explored feelings of passion, rationality through the both
intellectual and intimate relationships between Carl Jung, Sabina Spielrein,
and Sigmund Freud. |
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| Letters from Jung to Spielmein
are heard coming from the surface of the desk and letters from Freud to
Spielmein are heard coming from the books, when approached by viewer. The
sound has the quality of listening to headphones, being directly transmitted
to the listener’s head, creating a very personal experience. When
the viewer is in the middle of the room, the voices are heard almost as
ghost voices, unintelligible mutterings, coming from everywhere. |
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In the Second room, the more intimate space, readings from Sabina Spielmein’s diary are heard only when sitting on the two armchairs in the space. The voice is also processed and turned into vibration that travels through the armchair and into the sitter’s body. A very voluptuous vibration highlights certain key phrases, physically immersing the listener in the story.
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